Current Issue
C O N T E N T S
Sr.No. | Author | Title of the Paper | Pg.No. | |
Indian Literature | ||||
01 | Aishvarya Partap & Prof. (Dr.) N. Padmasree | Social Reality and Change with Special Reference to Chetan Bhagat’s Novels | 01-13 | |
02 | Anita Goswami | Bharati Mukherjee’s The Holder of the World: An Odyssey of Postcolonialism and Cultural Sensibility | 14-20 | |
03 | Anju Bala | Emergence of a New Woman: A Study of Shashi Deshpande’s A Matter of Time | 21-29 | |
04 | Arpita Dasgupta | Documenting Dalit History and Culture: An Alternative Reading of theRamayana | 30-33 | |
05 | Dr. Asha Madhavi Pagadala | Women as Victims of Power-Bound Society in Silence! The Court is in Session | 34-41 | |
06 | Ashish Srivastava | Existentialism in Anita Desai’sVoices in the City | 42-47 | |
07 | Pandurang Bhagwan Daphal | Master-Servant Relationship in Arvind Adiga’s The White Tiger | 48-52 | |
08 | Debashis Biswas | Baul: In the Quest of Moner Manush | 53-59 | |
09 | Nighat Fatima | Feminism in the Treatment of Kamala Das’ Poetic Imagery | 60-69 | |
10 | Dr. H. K. Jha | A Quest of Identity and Belongingness in Ruskin Bond’s The Room on the Roof | 70-83 | |
11 | Merlin Kumari. K | The Genesis of Indian Women in Literature | 84-88 | |
12 | Mincy Mathew | A Road Not Taken: An Account of Dalit Experiences in Rohinton Mistry’sA Fine Balance | 89-94 | |
13 | Miranda Taylor | Exploration of Identity in The Satanic Verses: How Binary Oppositions and Performativity Create Ontological Discourses | 95-108 | |
14 | Mohua Ahiri | Crime, Punishment and Discipline in Amitav Ghosh’sSea of Poppies | 109-114 | |
15 | Khundrakpam Nirupama & Dr. Sangeeta Laishram | Impact of Insurgency: Violence against Women in Manipur as Represented in Short Stories by Ningombam Sunita and Nepram Maya | 115-118 | |
16 | Nishtha Mishra | Depiction of Key-features of Post-Colonialism through Selected Stories of Rudyard Kipling and R. K. Narayan | 119-125 | |
17 | Dr. Vikas Jaoollkar & Pooja Bhatia | Culturally Ornate Stories of Tagore:The Victory andOnce there was a King | 126-129 | |
18 | Pooja | Indian Woman as Dalit and Diaspora: A Comparative Study of Sangatiand Coolie Woman | 130-137 | |
19 | A. Arulselesteen Prema & Dr. S. Kalamani | Double Marginalization of Dalit Women in Sivakami’s The Grip of Changeand The Taming of Women | 138-145 | |
20 | Qaisar Bashir | Conflict Literature from Kashmir: A Study of Curfewed Night and The Half Mother | 146-153 | |
21 | Reetika Chanchal | Strangled Voices: A Study of Sexual Victimization in Mahesh Dattani’sThirty Days in September | 154-160 | |
22 | Renu Gupta | Namita Gokhale’sGods, Graves and Grandmother as a Gender-Bender | 161-166 | |
23 | Rinku Rani | Female Bonding: A Strategy of Survival in Shashi Deshpande’s The Binding Vine | 167-170 | |
24 | Rupali Chaturvedi | Identity Crises in Chitra Banerjee Divakaruni’sClothes | 171-174 | |
25 | Sachin Ketkar | Translating Darkness into Light: A Cultural Semiotics Reading of the Nation and the Region in The White Tiger | 175-188 | |
26 |
Sajad Ahmad Ganie & Dr. M. Madhavan
| Gender: A Shame in Salman Rushdie’s NovelShame | 189-192 | |
27 | Dr. Sanjay Kumar Dutta | Women Protagonists of Tagore: A Study ofBinodini | 193-199 | |
28 | Dr. Satya Paul | Asif Currimbhoy’sThe Doldrummers: An Analysis in Theme and Style | 200-207 | |
29 |
Shankar Lal Jhanjhnodia & Sanjit Mishra
| The God that Failed: The Failure of Naxal Movement in Bani Basu's The Enemy Within | 208-214 | |
30 | T. Staney Sherin | Gender Discrimination: An Outlook in Manju Kapur’s Difficult Daughters | 215-217 | |
31 | G. Stalin | Identity Crisis in Bharati Mukherjee’sJasmine | 218-221 | |
32 | Victor Mukherjee | Exploring the Aesthetics of the ‘Third Theatre’: A Study of Badal Sircar’s Indian History Made Easy | 222-232 | |
33 | Ajay Kumar Yadav | Power and Violence in Vijay Tendulkar'sGhashiram Kotwal | 233-243 | |
34 | Javaid Ahmad Tantry | Partition and Its Relevance in Contemporary Society | 244-247 | |
35 | Enakshi Banerjee | Novel as History: A New Historical Reading of the Mughal harem in Kunal Basu’s The Miniaturist | 248-257 | |
36 | Ginni Rani | Ecocritical Reading of Jhumpa Lahiri’sThe Lowland | 258-265 | |
37 | Dharma Chand Barai | Contemporary Indian Fiction in English: A Study of Postmodernist Narrative Strategy of Vikram Chandra’s Sacred Games | 266-274 | |
American Literature | ||||
01 | Jasgeet Kaur | Individuals Trapped in the Labyrinth of Economy and Society: A Study of Khaled Hosseini’sAnd the Mountains Echoed | 275-281 | |
02 | Sima Kumari | The Fusion of Intertextual Essence in Powers’ The Greek Slave and Updike’s Before A Mirror | 282-291 | |
03 | Dr. Rakesh Kumar & Umara Shameen Butt | The Miserable and Scary Atmosphere of American Society in No Country for Old Men | 292-297 | |
04 | Vijay Digambar Songire | Episodic Plots in Toni Morrison’sThe Bluest Eye,Sula and Alice Walker’s Meridian | 298-304 | |
Critical Theory | ||||
01 | G. Anish S. Georshia | Indigenous Feminism on a Trajectory of Inclusive Feminism | 305-315 | |
02 | Elise Simmons | Interactions between Character and Author | 316-320 | |
03 | Okonkwo Gabriel Kosiso | The Creative Writer as a Creator-Continuum: A Caused Causer | 321-328 | |
04 | Dr. Pratibha Kalani | Towards SpiritualLiberation | 329-334 | |
05 | Dr. Rajib Bhaumik | Trans-Migratory State and Environmental Subject Signifiers in the Non-Synchronous Ethno-Environmental Context of North Bengal | 416-423 | |
Language & Linguistics | ||||
01 | Dr. Ch.Venkata Ramani | The Role of Podcasts in Developing Language Skills of ESL Learners | 335-340 | |
02 | Dr. Divya Walia | Cinema and Social Media: Reinventing Classroom Teaching and Learning | 341-345 | |
03 |
Samson Mekonnen &
Sewune Bora
| An Investigation of Factors that Affect Students’ Motivation towards English Language Learning: The Case of Wolaita Sodo University 1stYear English Major Students | 346-355 | |
British Literature | ||||
01 | Dr. Ashok K. Saini | Sharp and Societal Milieu in Graham Swift’sLast Orders | 356-359 | |
02 |
Dr. Sulekha Jadaun & Yogendra Pal Singh Solanki
| Apartheid in African Countries as Reflected in Doris Lessing’sThe Grass is Singing | 360-363 | |
03 | Shankar Vithoba Bhosale | The Exquisite Depiction of Romantic Suspense in the Novels of Mary Florence Stewart | 424-429 | |
Comparative Literature | ||||
01 | Akashjyoti Saikia & Dr. Dipendu Das | Representation of the American Dream in David Mamet’sGlengarry Glen Ross (1982) and Kant’s Views on Ethics and Morality: A Study | 364-369 | |
02 | Madhusmita Pati | The Hungry Tideand One Hundred Years of Solitude:Little Narrative vs the Grand Narrative | 370-375 | |
African Literature | ||||
01 | Sidney Shirly | Reductive Existence: A Study of J. M. Coetzee’sLife and Times of Michael K | 376-384 | |
Canadian Literature | ||||
01 | Urmi Satyan | M G Vassanji’sThe Book of Secrets: A Study of Engendered Culture of Colonized East Africa | 385-391 | |
Irish Literature | ||||
01 | Shekhar Vispute | Depiction of Feministic Perspectives in G.B. Shaw’sPygmalian | 392-399 | |
02 | Jamiel Ahmad | The (De)Centre Cannot Hold…: A Deconstructionist Study of W.B.Yeats' The Second Coming | 410-415 | |
French Literature | ||||
01 | Dhoop Singh Chahal | The Patience Stone: Voice of The ‘Other’ | 400-404 | |
Turkish Literature | ||||
01 |
Dr. Qamar Talat & Seema Panjwani
| Conflict, East Vs West and Inferiority Complex in Orhan Pamuk’sThe Silent House | 405-409 | |
P O E T R Y | ||||
01 | L. Ward Abel | Romulus | 430 | |
02 | Anca Mihaela Bruma | The Autumn of Our Spring | 431-433 | |
03 | Aparna B. | Today’s Saddest Song | 434-435 | |
04 | Diane Dehler | Salt & Sugar | 436 | |
05 | Gregg Dotoli | Approach | 437 | |
06 | Nandini Gupta | The Blessing in Disguise | 438 | |
07 | Indunil Madhusankha | Extirpating the Darkness: In Search of the Light | 439-440 | |
08 | Kuldipsinh D. Jadeja | Solitude | 441 | |
09 | James Dickey | Government Man | 442 | |
10 | Juan Pablo Duboué | Touch Me and You’ll Burn | 443 | |
11 | Julban Shefeek | Weeping Minds | 444-445 | |
12 | Lana Bella | There Is Snow on the Distant Place | 446 | |
13 | Helmi Ben Meriem | The Tree | 447-448 | |
14 | Peter Cowlam | I’m So Fuci | 449 | |
15 | Ruchi Chopra | Divine Truth | 450-451 | |
16 | K. S. Subramanian | On the Tides of the New | 452 | |
17 | Sunayna Pal | Alone | 453 | |
18 | Shweta Sur | Old Wine in a New Bottle | 454 | |
19 | Temitope Ogunsina | Drum | 455 | |
F I C T I O N | ||||
01 | Krishnaveer Abhishek Challa | Down To Earth | 456-459 | |
02 | Cyril Dabydeen | The Jamoon Tree | 460-463 | |
03 | Subbaram Danda | Teenage Fears and Fantasies | 464-467 | |
04 | Dr. Riyad Manqoush | Salwa and the Fake Husband | 468-474 | |
05 | Dr. Vandana Singh | Awakening of Soul | 475-483 | |
B O O K R E V I E W | ||||
01 | Gagan B Purohit | Two Minute’s Silence by C.L. Khatri | 484-487 | |
02 | Ishrat Jahan | Me Laxmi, Me Hijra: An Autobiography of Laxminarayan Tripathi Translated by R. Raj Rao and P. G. Joshi | 488-490 | |
03 | Dr.V. Jaisre | Difficult Daughters by Manju Kapur | 491-492 | |
04 | Dr. Mukesh Yadav | Floating Haiku by Dr. Shalini Yadav | 493-497 | |
I N T E R V I E W | ||||
01 | Rakesh Kumar Mishra | Translated Interview of Uday Prakash by Rakesh Kumar Mishra | 498-502 | |
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